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"When I am working on a problem I never think about beauty. I only think about how to solve the problem. But when I have finished, if the solution is not beautiful, I know it is wrong."
Buckminster Fuller

Via BB
What a travesty this Android announcement is. A 34-company committee that's going to oversee the development of a currently non-existent suite of open-source mobile applications to run on as-yet-unspecified hardware. I've never seen so much hot air, and honestly I'm kind of shocked that it came out of Google.
A 34-company committee couldn't create a successful ham sandwich, much less a mobile application suite. It's going to be some half-baked turd undoubtedly based on GPE since that's, you know, better than starting from scratch, right? (Wrong.)
For heaven's sake: Find someone, ONE person, with a unique vision. Lock them in a room with some programmers and a graphic designer. Twenty people, tops. Change the world. Quit re-hashing the same old bullshit and telling me it's new, exciting, or in any way innovative. Be ready to fail, many times, but for love of all that is holy take a stand on something.
You have NO CLUE why the iPhone is successful and highly sought after, do you? You think it's all some sort of weird fluke. A market anomaly. That these millions of iPhone owners are going to wake up one morning and say OH SHIT this doesn't have MMS, what was I thinking! How can such a technological abortion be popular? Come ON, Google, you know better.
People don't want FEATURES. They'll tell you they do until they're blue in the face. But what they actually want is ease-of-use, and solutions to real-world problems -- looking at a map, finding nearby restaurants, sending a photo to a friend without going through 6 submenus, not to mention making phone calls. You're Google, you're actually not too bad at this. Ditch those other 33 companies, put 20 of your smartest people on it, and you stand a fighting chance. Otherwise just let it go -- this PR non-announcement isn't worth the time it takes to read.
CP points to this from time to time, I never seem to mind
Throughout the 50's, Atlas Tires used a variety of multi-panel layouts for all its ads, whether they were for tires, batteries, anti-freeze or whatever other accessories the customer might need. Thanks to that design consistency, I'd say the company maintained a highly recognizable identity. Very laudable from a branding point of view.

Link form Serif
Darkness at Noon designed by the Office of Paul Sahre

Old style, but I like it. Definitely flavors of Richard Paul Lohse
Constructive graphic design
Lohse started off as a graphic designer when the development of photomontage and typomontage by the Constructivist avantgarde was cut short in many parts of Europe by political events. Out of the pictorial discoveries of Constructivism, he developed a form of Constructive design that helped to give form to the concept of Swiss graphics, which was to have a global impact on design in the 1950s. Lohse did not confuse graphic design with the self-satisfied expression of the artist's subjectivity through the graphic medium. Rather he found means of giving objective form to differentiated content. (Jörg Stürzebecher, 1999)

Linked from I'm Learning To Share!
Linked from Type for you
From first issue to last, Scope magazine may provide the best case study of how a designer’s skill can translate complex data into easily grasped, symbolic visuals. This cover flags the story, “Telling lines—some notes on graphs” (Spring 1953).
The Upjohn Brain, a working schematic in three dimensions. Where the Cell modeled a physical object, the Brain introduced the concept of time窶杯he time messages take to thread neural pathways. Red lights represent visual stimuli; green, auditory; white, muscle function. Photo by Ezra Stoller
In 1948, writer Lawrence Lessing, author of the text for Burtinâs gunnery manuals, teamed with him again to describe their project for Graphis. For this, Burtin added lines showing paths taken by traineesâ eyes, on a first pass and on subsequent passes.
Many more very high res photos there.
I found this completely by accident, and while the overtones are quite gruesome and dark, the work is fascinating.
Boris Kobe (1905-81) was a Slovenian architect and painter who became a political prisoner in the concentration camp of Allach, a sub-camp of Dachau, near Munich, Germany.
These images are from reproductions of the original cards provided courtesy of the Slovenian delegation (Slovenian Ministry of Education) to the Stockholm International Conference in the year 2000. Reproduction sets of cards were given to educators who attended the Swedish government sponsored conference in order to help identify an aspect of the victimization of one Slovenian political prisoner who became a prominent architect after the war.
Continue reading "Boris Kobe's Tarot Cards from Allach Concentration" »
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