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April 2008 Archives

April 1, 2008

STANLEY DONWOOD: I LOVE THE MODERN WORLD


Oxygen Should be Regarded as a Drug. (2008) 100cm x 75cm. Acrylic on canvas.

A SHOW OF WORK BY STANLEY DONWOOD
TOKYO GALLERY, 7F, 8-10-5 GINZA CHUO-KU, TOKYO, 104-0061, JAPAN
2 - 26 APRIL 2008

160 Characters



clément gallet


Shame about the hyphenation

Rasmus Giesel



Memento Mori


"A skeleton; half-length; set in an oval frame with hourglasses and skulls and bones"

From a series of six engravings of memento mori* by the German artist Alexander Mair, 1605. (these are definitely the best of the series) [British Museum]

We heart it / Visual bookmark for everyone


Designer: Paul Buckley
title: The Testament of Gideon Mack
author: James Robertson
publisher: Viking Adult, 2007

New FFFFoundish image repository, bit 2.0 for my taste

April 2, 2008

Chris Ware animates This American Life

Via the skinny veer

April 3, 2008

Marion Bataille: ABC3D

Via Swiss Legacy

April 4, 2008

New British Coins


Quite spiffy

nikki ruddy


narangkar glover.


embroidery!

April 6, 2008

Wayne Levin


emmanuel polanco


I heart irony


April 8, 2008

Mental Models


April 9, 2008

Paul Rand, Conversations with Students


April 13, 2008

Olympic Sole Materials


Time for an update to The Greatest Technology You Don't Care About... Yet.


AIF = Fast-as-hell filters on every desktop, everywhere

As a logo designer, this makes me feel inferior


April 15, 2008

Mike Stilkey


Alberto Campo Baeza


Proposal for a Mercedes Benz Museum by Alberto Campo Baeza

Ikea train in Japan


Swedish furniture giant Ikea is trying to make inroads in Japan by advertising in one of that country's high-traffic areas: train interiors.

MVRDV, architects: Hidden stairs


Via SM

April 16, 2008

Shepard Fairey does the Penguin


The Uncanny Orlow


Ork Design


Veer’s Secret Wallpapers


Start Here Notebooks


Very smart indeed

April 17, 2008

A couple of FFFF's



X Files 2 Movie Poster


Bibendum on the bongos


Geoff McFetridge at the SAM Olympic Sculpture Park


Pedro Lasch


Pedro Lasch, Gu僘s de Ruta / Route Guides, 2003/2006,

twoguitars: Diner invites


Portishead - Third


Gabriel did the cover art


eye magazine


The quintessential overpriced design magazine

April 18, 2008

tardamucho: Dimorfismo


Methane Studios


April 20, 2008

polanoid


Elfe (SX-70 Alpha1 (Revue)) shot by loulou

nonameno5: Boards of Canada - Everything You Do is a Balloon

Video sampled from "One Got Fat" (1963) bicycle safety movie

Vis CPluv

April 21, 2008

Jonathon Yule: Robots made from sans-serif fonts


April 22, 2008

Os Bichos.


April 23, 2008

The 7th Man


The 7th Man
A True Cannibal Tale of the South Sea Islands:
Told in Fifteen Wood-Engravings and Precisely
One Hundred and Eighty Nine Words

British Motor Show


April 24, 2008

G. Rietveld, Wm. Sandberg


1905 Hanging store Calendar sign


Lot 40s workwear pants buttons


April 25, 2008

4 To The Bar - Samba Bianco


Pixel Pour


Antonio Carusone at play




Intervista: The Big Bang Jesus Christ


Bitchin apothecary cabinet


Ring Ring

Ring Ring

Via Rosebaby

Dr. Alesha Sivartha: Book of Life, 1912.




April 28, 2008

Grand Theft Velo II


Depth of field cuff by re:vision


Via CP Via SwissMiss

Universal active speaker for Ipod or laptops


Nice!

lara cameron


Christiaan Postma


Via ManyStuffs

Um, yeah … #7

25 MORE Reasons You Might Be A Hardcore Graphic/Web Designer | BittBox

1.

You’ve had a client that thought they knew more about design than you.

2.

Your clients pay you for your professional expertise and skill, yet you’ve run into one of ‘those’ clients, that refuses to take the advice from the very person he/she is paying for advice (you).
3.

You’ve had a client that insisted on using the font “Papyrus,” and you had to hold in your barf as you prepped it [the design] for printing.
4.

You’ve requested a vector logo from a client, and instead, they email you a 72 dpi image they grabbed from a website.
5.

You’ve used typography as a texture.
6.

You don’t have a favorite font because you love “Typography.” Not Fonts. Choosing a favorite would be like choosing a favorite child, it’s just wrong.
7.

You collect as many free stuffs from the interwebs as you can on your hard drive, hoping that one day, that cool project will come along that you can actually use some cool shit on.
8.

You’d rather have a free font than a free gallon of gas.
9.

It’s hard to talk about frustrations at your job with a group of friends because they have no idea what “Vector” or “DPI” is, just to name a couple.
10.

You’ve had a client ask you to “Make the logo bigger.”
11.

You’ve had a client that insists on “filling up the space.”
12.

You’ve learned to over-price web design projects because most clients are more picky about their websites than a high school girl picking out a prom dress.
13.

You feel like you’re “On Call” half of the time because clients procrastinate so much.
14.

You know keyboard shortcuts that require 4 fingers.
15.

You’ve lost hours of work because an application crashed, and you had to start over from scratch because you were in the “zone” and forgot to save. Basically, you were having so much fun being creative that saving was the last thing on your mind at the time.
16.

You’ve “Live-Traced” something.
17.

You spend more hours per week looking at CSS showcase sites than you do at the gym.
18.

The only thing that would make you happier than the demise of IE6 is world peace.
19.

You’ve done everything but give up a body part to talk a client out of a “Flash Intro.” Yeah. I said it. Flash Intro. Sad, so so sad. (goes along with #2)
20.

You have enough fonts on your hard drive to last you for: 1 font per day for about a decade, give or take a year or two.
21.

You know, explicitly, what a “Flourish” is.
22.

You worry about negative space as much as the content area.
23.

You get phone calls from friends and family members on a regular, sometimes annoyingly-frequent basis, wanting your services for free or extremely cheap. (and the “portfolio” line makes you want to throw something across the room)
24.

You’ve had a client that wants a website they can “update” on their own, but doesn’t know shit about websites.
25.

You’re never more than 99% happy with your final product because you believe that EVERYTHING can be improved upon. (especially with those tight-deadline projects)