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Matt Willey recently recorded his decision-making on a feature design for the Royal Academy magazine. It provides a very useful insight into how page designs get arrived at, one that anyone who’s ever designed a magazine will recognize.
Radiohead just released a new video for its song "House of Cards" from the album "In Rainbows".
No cameras or lights were used. Instead two technologies were used to capture 3D images: Geometric Informatics and Velodyne LIDAR. Geometric Informatics scanning systems produce structured light to capture 3D images at close proximity, while a Velodyne Lidar system that uses multiple lasers is used to capture large environments such as landscapes. In this video, 64 lasers rotating and shooting in a 360 degree radius 900 times per minute produced all the exterior scenes.
Watch the making-of video to learn about how the video was made and the various technologies that were used to capture and render 3D data.
Wicked stuff, go play with the Data Visualization tools and watch some vids
Via CPlurv
This publicity photo, from the Berthold foundry’s Specimen No. 525B (late 1950s?) shows the foundry type for Arabic Shaded No. 50. In addition to demonstrating the maker’s facility with both non-Latin scripts and elaborate ornamentation (this is an outline face with a drop shadow, produced at 30pt), this diagram shows an interesting technique for kerning Arabic’s many delicate features.
A kern, in the literal sense, is any part of a character that extends beyond the body. The more delicate a kern, the more likely it is to break off during use, and Arabic is among the world’s most sinewy scripts. To compensate, this typeface was cast with an especially long neck — the distance from the top-most printing surface (the face) to the non-printing surface below (the shoulder) — so that kerns would be stronger, and more fully supported by adjacent characters. A clever, simple solution.
Pop quiz: Arabic reads from right to left, and printing type is always reversed. Which end is the start of the line? If you’re disoriented, imagine the sixteenth century French and Flemish typefounders who produced some of the world’s finest Arabic typefaces, three hundred years before the invention of the mass-produced silvered-glass mirror. —JH
Readymech is a flat-pack paper toy product which collaborates with dozens of artists from around the world, and has been featured in dozens of art and design publications from around the world.
Via FFFF
Via CP
The first cuts of Trade Gothic were designed by Jackson Burke in 1948. He continued to work on further weights and styles until 1960 while he was director of type development for Mergenthaler-Linotype in the USA. Trade Gothic does not display as much unifying family structure as other popular sans serif font families, but this dissonance adds a bit of earthy naturalism to its appeal. Trade Gothic is often seen in combination with roman text fonts, and the condensed versions are popular in the newspaper industry for headlines.
Love this font, but "earthy naturalism" ?
Check out this excellent write up on Typophile on how to setup a flexible baseline grid in Adobe InDesign. The author has set up the grid so that every baseline is 12pts apart. This is a good setting that gives you a few leading options to choose from, but someone commented below the article that theyâve setup a 3pt system, which in my opinion works very nicely. Having a baseline every 3 pts gives you great flexibility with leading allowing you to create typography that is more dynamic.
Via nucleardreamer via CP
Via Dear Ada
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