Boxed as seen here. The interior subdivisions point to an archival method. This process is as much for my own need for clarity and foothold in understanding form and intercompatible materials, to take then into a larger scale. The incremental marks help the pieces to speak to one another. The black marks are inlaid, beginning a technique I would like to take back into furniture as a way of taking the design off upholstery and onto the wooden framework.
Wood, plastic, ceramic, rubber, fabric. The components, mostly designed and cut to combine with counterparts sourced from school science lab suppliers for example, have a character that sits somewhere between board game bits, measurement tools, ambiguous accessories for clothing, for eating.
They sit and stack in a way which remembers systems seen for storing wooden flutes in the Musée du Quai Branly, Paris, Scrabble letter lips, cutlery trays, test tube racks.
The sets each imply activity but there are no rules or guidelines supplied. Hand Werk is simply about sensibility brought about by mute play, by handling. No rules because the elements should be moved and moved again.
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