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June 2010 Archives

June 1, 2010

George Tscherny: Pan Am City guides


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June 2, 2010

BUILD: Coast Modern poster


Understated Coast Modern stunner designed by BUILD. Michael C. Place and his keen sense of detail, proportion and colour puts Pantone PMS 806 to work. Spanning the coast from Vancouver to Los Angeles, this slice of design heaven will jump off any wall. Printed masterfully in Vancouver on 100lb Topkote by our friends at Metropolitan Printers.

Limited to 100 prints.

33 1/8″ x 23 7/16″

-> get one

--> Source

June 9, 2010

SEMIHandmade: Bringing style to cheap cabinets

SEMIhandmade, a line of custom doors, panels and drawer faces from the brand Handmade, is launching their line at Dwell on Design. Basically, they offer custom fronts for most standard big box cabinets so that you can get that custom feel without the custom price.


This is an IKEA pantry cabinet turned on its side. They dressed it up with mahogany side panels and facing, added drawers, and built a custom base.




These were just stock cabinets, which they faced with sequenced teak veneer, and also built a custom cabinet to bridge a tricky angled corner.

--> Design Milk

Logan Hicks: An introduction

Known around the world as one of the hardest working artists alive, Logan is among the most talented contemporary artists today. His vision is exacting, and his standards are extremely high. After months of discussions, we decided to use a special Liquid Graphite Pigment with Silver Flake to provide the solid slate-like feel that Logan wanted in this print while maintaining a sense of depth and variation that is so important to his artwork. The results are striking. As a special variation for the collectors, we also printed 15 with Gold Metallic inks.

More info. available at jetsetgraffiti

Great vid about the artist and his approach.

--> Wooster

W+K: Honda commercial

Great new ad for Honda from W+K, love the photography style, looks like it was shot with the worlds shittiest lens.

--> CR

David Gentleman: 1970 England World Cup stamp discovered


As holders, England went in to the 1970 World Cup with a degree of confidence. Such optimism was matched by the Royal Mail which decided to commission a stamp to commemorate the team's imminent victory...
The design for the never-used stamp, by prolific stamp designer David Gentleman (see his work here), has recently been uncovered by the British Postal Museum & Archive.

© Royal Mail Group Ltd 2010, courtesy of The British Postal Museum & Archive

--> CR

Sergio Studer: Victimes treshique - Tie design for Hermes


(...) expressing the values of french brand Hermès - tradition and know on one hand, modern and futuristic scenarios / designs on the other. the pattern of 'victimes - trèshique' consists of high complex rasters that indicate icons of the sixties. the distance is important for impact.

--> more at designboom

June 10, 2010

Eric Fischer: Locals and Tourists geotag photo maps


Amazing collection of 99 infographic photomaps of the geotagged photos taken by locals as opposed to tourists.

Some people interpreted the Geotaggers' World Atlas maps to be maps of tourism. This set is an attempt to figure out if that is really true. Some cities (for example Las Vegas and Venice) do seem to be photographed almost entirely by tourists. Others seem to have many pictures taken in piaces that tourists don't visit.

Blue points on the map are pictures taken by locals (people who have taken pictures in this city dated over a range of a month or more).

Red points are pictures taken by tourists (people who seem to be a local of a different city and who took pictures in this city for less than a month).

Yellow points are pictures where it can't be determined whether or not the photographer was a tourist (because they haven't taken pictures anywhere for over a month). They are probably tourists but might just not post many pictures at all.

-> See them all

--> David Rager

Raquel Castro: Whistler cork


-> More

--> Happy Mundane

Lester Beall: PM




PM
An Intimate Journal for Production Managers, Art Directors and their Associates, Vol. IV, No. 3, Nov 1937

Published in conjunction with The Composing Room, PM (later named AD) promoted many young, aspiring designers. Influenced by the European avant-garde, this visually energetic cover is a remarkable example of Beall’s advanced knowledge of scale, contrast and the ability to mix type styles. This issue includes a 16-page article (designed and illustrated by Beall) devoted to his career.

-> see more

--> Display

Bante: Music video for the Bellavista Social Pub

Motion typography at it's finest in an homage to Reid Miles.

-> Read more.


There's also an excellent reference list of the fonts he tended to use, a must for any mid-century modern designs.


Sans Serif Faces

For display, Reid Miles seemed to favour compact, often very bold sans serifs, as they provided rhythm to the design and allowed him to incorporate photographs into the letters. At the other end of the spectrum he turned to generous extended grotesques. For text the usual suspects like Futura and Trade/News Gothic performed their inconspicuous duties.


Serif Faces

In the early years serif faces were mostly used for additional text matter on the album cover front and body text on the back. Sturdy text ionics and century-type faces with their long serifs and characteristic italics performed very well alongside those big sans serifs. For display clarendons and didones were used in moderate sizes, and various display serif faces in large sizes.


Scripts and Display Faces

Real display faces seldom appeared in album cover designs by Reid Miles. He also rarely used scripts, and when he did they often were hand lettered. Nowadays OpenType technology can reliably emulate the spontaneity and randomness of hand calligraphy with digital fonts.



June 18, 2010

Norman E. Timbs: 1948 Buick Streamliner





Curves like these inspire poetry. The 1948 Buick Streamliner by Norman E. Timbs is a muse in the world of classic cars, an automobile from a time when curvy was most desirable in the eyes of men. Looking at a car like this makes one lament the slim, simple direction human attraction has gone, when the cars and cover girls leave plenty to be desired in the most important aesthetic quality– shape. This classic Buick Streamliner is in pristine condition, restored by Dave Crouse for the 2010 Concours d’Elegance. Its original construction took over two years, built with an aluminum body around a steel chassis.

-> See more

--> Core77

Davone: Ray loudspeakers


-> Their site

--> Boingboing

Alexander Kneller: Side Chair One




* Dimensions: 1200 x 800 x 550mm
* Material: Finnish plywood
* Coating: Two part polyurethane finish

Side Chair One is a versatile and multifunctional piece of furniture, combining seat, table and storage in one unit.

-> His site

--> Design Milk

June 23, 2010

Y&R: TAM Cargo Business Card




Agency: Y&R, São Paulo, Brazil
Creative Directors: Marco Versolato, Alexandre Vilela (Xã), Felipe Gall
Art Directors: Eduardo Quadra, Eduardo Araujo

-> Advertising/Design Goodness

June 24, 2010

Flurry






Great paper toy package design.

--> Reference Library

Dwell Patterns for Heath Ceramics


This new modular tile system is the result of a successful collaboration between Chris Deam (designer, architect, and husband to Lara Hedberg Deam, founder of Dwell Media) and Catherine Bailey (Co-founder and Creative Director of Heath Ceramics along with husband Robin Petravic). Separately, two halves of successful power couples; together, a dynamic design duo.


The new line will be available as of August 1st and only directly through Heath Ceramics and prices will range from $20-$40/square foot.

-> See more at Design Milk

Toru Iwatani: Original sketches for Pac-Man




--> Kotaku

June 25, 2010

Imaginary Forces: MadMen title sequence

Season 4 begins July 25th.

--> Secret Forts

Reno: Battery Flashlight


Three small LED lights that clip on to your standard 9V battery.

-> $9 here

--> Mike Industries

inoda sveje: DC09 dining chair





danish-japanese milan-based inoda + sveje (kyoko inoda and nils sveje) have designed the 'DC09' dining chair in collaboration with japanese manufacturer miyazaki isu. available in indonesian rose wood, teak or ash, the most characteristic part of the 'DC09' is its seat, which has been shaved as thin as possible, but still remains rigid and structurally sound. the solid wood chair is sculpted by organic lines, while still following human ergonomic.

--> D-Boom

JC Penneys: Drag Slick typography



-->House

Custom Bladeworks: Friction Folders


Non locking folding knives based on the mini and kaiken

-> See more

--> Svpply

Friso Kramer: Industrial drafting table and chair


Industrial drafting table and chair designed by Friso Kramer, dated 1965. Inspired by Jean Prouvé industrial works. The table is functional and can be adjusted in height. This table can be used as office desk or as architect table. They are both marked with the Ahrend de cirkel label.

-> See more

June 30, 2010

Roeland Otten: ABChairs



Graphic designer Roeland Otten (who has a killer website btw) had an idea back when he was in school at Design Academy Eindhoven: to make communicative seating. Almost 10 years later, he’s finally fulfilled this dream with help from Fonds BKVB and Materiaalfonds. This prototype alphabet of chairs and stools consists of all 26 letters made from lacquered MDF. Right now, they’re being produced one-off as limited editions, but we hope he’ll find a manufacturer soon to make plastic versions.


-> Design Milk

Olivier Courbet: Circus of Magazines logo


Wolda Professional awards 2009
Best of the World
Best of Americas
Best of United States

Logo created for Circus of Magazines™, an online marketplace for magazines. It combines an open magazine and a circus tent in order to represent the online community and by extension the website, a place where magazine lovers gather to buy, sell and exchange magazines. The challenge consisted of avoiding any clichés while keeping in mind the client's desire to incorporate a classic circus feature in the mark. The final result is a simple and memorable logo and a mark that works well for stand-alone usage.

-> See more award winners

--> Creative Bits

Craig Oldham: 12 in 12


When that dreaded time of year comes around where the Universities open their gates and out pour the thousands of Design graduates looking for that elusive first job, I get a little troubled. I feel that there's a veil of mystery (sounds like a Harry Potter prop) between the act of leaving College (or University) and landing that all important first job: and this is something I tried to correct in the production of the 12 IN 12 booklet.

12 IN 12 is an accompaniment to a lecture I gave in April to the students of University College Falmouth*. When I was invited to give a talkie I didn’t want to resort to the usual ‘show and tell’ approach that I had experienced so many times during my Design education (as I feel there are more suitable people to tell the story of The Chase—my place of work—other than myself). I decided that it would be more useful to the students to speak of the things that they would really like to hear about the industry they’re entering. Thus, I gave an account of 12 things that I had learned in my first 12 months as a designer. Things that I feel I could have only learned through an active participation in the industry, and not from the outside looking in.

Not only offering advice on placements and portfolios I also raised issues about the professional practice of Designers and the industry; I touched upon the different cultures of designers: those working more rationally and logically compared to those who strive for an emotional connection between their work and the audience; how Graphic Design can be just a job, where as being a designer can be different; and the realisation that Designing can be a reasonably small part of the job.

The twelve things are:

......................................................................................................................................

Understand what Graphic Design means to you.

Be honest with yourself about your strengths and weaknesses.

A portfolio is for life, not just for an interview.

Placements matter. Do them.

The Design industry is small, everyone knows everybugger else.

Participate with other people and share your ideas.

Graphic Design is just a job, but being a designer is different.

Fall off your bike. If you don't fail then you are not trying.

Life and work exist outside of London.

Designing is only, about, 20% of your job.

Have a life outside of Design.

Work hard and be nice to people.
......................................................................................................................................

-> Read more

--> Ace Jet 170