Movements in Red

A moving infrared timelapse movie.

This is a personal project culminated from years of shooting IR stills and never really being satisfied with the results. Shot primarily in Albemarle County, Virginia, the movie was captured using a Canon 5D mark II converted with a 720nm IR filter over the sensor. The sensor filter allows normal camera operation but shoots only IR images. I used a rail from Dynamic Perception to create the moving images and processed everything in Adode Premiere/After Effects.
Check out my website to see some cool IR stills under the fine arts section.

via cp


Ink Drops in 4k

You can watch it here in this little window, but do yourself a favor and find the largest monitor you can, load this link to the original, go full screen, set the quality level to Original and wait for the glory that is RED and 4k video resolution. It may take a while to load, but it’s worth it.

The sight of blue and yellow blobs crashing into a slow-motion explosion of green on your screen is usually entertaining enough in itself, but how about cranking up its resolution to a mighty 4096 x 2304? That’s what Jacob Schwarz has done, with the help of a RED Epic camera, a Canon 100mm macro lens, and Adobe’s Premiere CS6 software. Together with his partner Katie Schwarz, Jacob has put together three minutes of stunningly detailed footage of ink drops diluting and intermingling in water.

The Verge wrote that

See more of his 4k videos



It seems as if it’s video day here.

Here’s a lovely little animated feature from Disney Animation Studios (Pixar).

Introducing a groundbreaking technique that seamlessly merges computer-generated and hand-drawn animation techniques, first-time director John Kahrs takes the art of animation in a bold new direction with the Oscar®-nominated short, “Paperman.” Using a minimalist black-and-white style, the short follows the story of a lonely young man in mid-century New York City, whose destiny takes an unexpected turn after a chance meeting with a beautiful woman on his morning commute. Convinced the girl of his dreams is gone forever, he gets a second chance when he spots her in a skyscraper window across the avenue from his office. With only his heart, imagination and a stack of papers to get her attention, his efforts are no match for what the fates have in store for him. Created by a small, innovative team working at Walt Disney Animation Studios, “Paperman” pushes the animation medium in an exciting new direction.

via the verge


Gondry is at it again

The trailer for Michael Gondry’s latest film Mood Indigo is making the rounds and it looks superb.

Of note: Some of the cars from the film were spotted last fall in Paris during the filming and they’re fantastic. See them all at Surface To Air.





Full Moon Silhouettes

Time to start blogging again.

Let’s start with an amazing piece of footage captured down under that is epitome of being in the right place at the right time.

Notes from the artist, Mark Gee:

Full Moon Silhouettes is a real time video of the moon rising over the Mount Victoria Lookout in Wellington, New Zealand. People had gathered up there this night to get the best view possible of the moon rising. I captured the video from 2.1km away on the other side of the city. It’s something that I’ve been wanting to photograph for a long time now, and a lot of planning and failed attempts had taken place. Finally, during moon rise on the 28th January 2013, everything fell into place and I got my footage.
The video is as it came off the memory card and there has been no manipulation whatsoever. Technically it was quite a challenge to get the final result. I shot it on a Canon ID MkIV in video mode with a Canon EF 500mm f/4L and a Canon 2x extender II, giving me the equivalent focal length of 1300mm.

See more from Mark Gee


Sander Vandenbroucke : Brussels Express

Great video: Traffic through the eyes of a european bike messenger

A documentary about bike messengers in Brussels, the most congested city in Europe with only 4% cycling traffic.
(2012 – 19 min)

Directed, shot & edited by Sander Vandenbroucke
2nd camera: David Doom
Music: Mathieu Vandekerckhove
Translations: Thierry Eeckhout

via Gear Patrol